
Written by Robert Taylor
Robert Taylor AustraliaRobert Taylor is a NIDA graduate (Technical Production) who was Playbox Production Manager from 1987–90 and Administrator from 1991–5. His Lighting Design for The Mourning After (1996 Beckett Theatre) toured extensively in 1997. From 1995–2014 he was General Manager of The National Theatre in St. Kilda.
Written by Diana Burleigh
Diana Burleigh Diana is a well-known actor, director, reviewer and radio presenter. She is particularly recognised for her work directing Gilbert & Sullivan operas. Forthcoming and recent productions include Iolanthe (2017) and Pirates of Penzance (2013) for G&SOV, Utopia Limited (2016) and Yeomen of the Guard (2013) for Savoynet at the G & S Festival, Harrogate.
Written by Diana Burleigh
Diana Burleigh Diana is a well-known actor, director, reviewer and radio presenter. She is particularly recognised for her work directing Gilbert & Sullivan operas. Forthcoming and recent productions include Iolanthe (2017) and Pirates of Penzance (2013) for G&SOV, Utopia Limited (2016) and Yeomen of the Guard (2013) for Savoynet at the G & S Festival, Harrogate.
Written by Richard Fotheringham
Richard Fotheringham AustraliaRichard Fotheringham is Emeritus Professor of Theatre History at the University of Queensland. His books include Sport in Australian Drama (Cambridge University Press, 1992), In Search of Steele Rudd (UQP, 1995) and Australian Plays for the Colonial Stage 1834-1899 (Aust Academy of the Humanities/UQP, 2006).
Written by Robert Taylor
Robert Taylor AustraliaRobert Taylor is a NIDA graduate (Technical Production) who was Playbox Production Manager from 1987–90 and Administrator from 1991–5. His Lighting Design for The Mourning After (1996 Beckett Theatre) toured extensively in 1997. From 1995–2014 he was General Manager of The National Theatre in St. Kilda.
Written by Judy Leech
Judy Leech AustraliaJudy has had a twenty-two year career at the ABC Television Studios as a graphic designer, with occasional forays into children's book illustrations. This was followed by ten years working with the Rex Reid Dance Company on costume, set and props design. Since the late 1990s Judy has been closely involved, in a design capacity, with many of the annual musicals presented by Melbourne High and Mac.Robertson's Schools.
Written by Janine Barrand
Janine Barrand Australia
Written by Robert Morrison
Robert Morrison AustraliaWith a background in science and biophysics, Rob is equally at home in the Performing Arts having performed in over 70 stage productions since 1975, including plays, revues and musicals for a number of amateur theatre companies based in Melbourne’s eastern suburbs.
As a broadcaster, Rob has been heard on Melbourne community radio 96.5 Inner FM since 1992 contributing to the Local Theatre programme and as the host of the weekly light-music Kaleidoscope and Musical Theatre Melodies programmes. (A selection of Rob’s past interviews from the latter with noted theatre composers and/or lyricists, Leslie Bricusse, Frank Wildhorn and Sheldon Harnick, plus musical theatre historian and author, Miles Kreuger can be accessed on the THA website under Digital Collections – audio.)
Since early 2023 Musical Theatre Melodies has also been available as a podcast, which may be heard at https://www.innerfm.org.au/shows/musical-theatre-melodies/ and recently earned the distinction of being ranked amongst the Top 10 Australian Theatre Podcasts by Feedspot, as listed at https://podcasts.feedspot.com/australian_theatre_podcasts
Rob has also contributed information and articles to the on-line Gilbert and Sullivan Archive, Gilbert and Sullivan Discography and Edward German Discography websites.
Past articles published in the print editions of On Stage include:-
In addition Rob collaborated on the research into the background of local Music Hall singer, ‘Syria Lamonte’ (Summer 2010, p.5), as outlined in ‘The Search for Syria’ (Autumn 2010, p. 17); provided the footnotes to ‘Richard Watson: “a molasses of a bass”’ (Spring 2009, p.35 & Summer 2010, p.40.) and researched the discography for ‘Richard Watson’s Recorded Legacy’ (Spring 2011, p.18.)
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